From the Dept. of Useless Browser Plugins

Pointless Browser Plugins literally featuring Guy Fieri

This is what some random guy’s livejournal, literally wrong, looks like when using the Fierifyer and Literally browser plugins. (Click the photo above for full-res, it’s worth it.)

Fierifyer graces the sites you visit with random sayings from, you guessed it, Guy Fieri.

Literally forbids the use of its namesake on the pages you visit, automatically replacing it with the more-often-than-not correct word, “figuratively.”

So, now you know.

Via Eater and NPR.

Woods {new music}

Woods the band{via flickr user tim ferguson}

Making their fourth appearance on this blog today is the Brooklyn-based band Woods with a song from their new album, With Light and with Love {spotify}.

Enjoy!

Woods — “Only the Lonely” {mp3}

Friday Link List

1. Comcast’s Real Repairman {new york times}

Thorough overview of Comcast chief David Cohen. Gave me a much better insight into the Time Warner proposal.

Love this part:

Mr. Cohen, who has remained close to Mr. Bradley, smiles when reminded of the long-ago campaign. “That’s just my view of the world,” he says. “Always be more prepared than anyone else, because there’s a huge advantage to knowing everything that might be asked and having given at least some thought to the answer.”

2. TEDification v. Edification {design observer}

Smart, long take on the explosion of the TED talk. Among my favorite parts:

TED lays out the right path: popular access to advanced knowledge about big subjects. But the project has to be redirected as a process of enquiry rather than epiphany, requiring not only passion but also patience. Consider that one of the fundamental challenges for design is to confront what Horst Rittel described four decades ago as the wicked problem. For wicked problems there are no real solutions, only makeshift and contingent negotiation. “Dealing with wicked problems,” Rittel conceded, “is always political.” [21] The incessant waves of eighteen minutes of epiphanic techno-complexity are working to deny complexity — to deny the wickedness of wicked problems, to detach us from their political reality, to deny our limited ability to solve them and to encourage hubris where we need humility.

3. Google’s Road Map to Global Domination {new york times}

Google v. the world.

A Frenchman who has lived half his 49 years in the United States, [Luc] Vincent was never in the Marines. But he is a leader in a new great game: the Internet land grab, which can be reduced to three key battles over three key conceptual territories. What came first, conquered by Google’s superior search algorithms. Who was next, and Facebook was the victor. But where, arguably the biggest prize of all, has yet to be completely won.

Where-type questions — the kind that result in a little map popping up on the search-results page — account for some 20 percent of all Google queries done from the desktop. But ultimately more important by far is location-awareness, the sort of geographical information that our phones and other mobile devices already require in order to function. In the future, such location-awareness will be built into more than just phones. All of our stuff will know where it is — and that awareness will imbue the real world with some of the power of the virtual. Your house keys will tell you that they’re still on your desk at work. Your tools will remind you that they were lent to a friend. And your car will be able to drive itself on an errand to retrieve both your keys and your tools.

New Warhol Images from 1985 Unearthed on Floppy Disks

So cool:

PITTSBURGH—A multi-institutional team of new-media artists, computer experts, and museum professionals have discovered a dozen previously unknown experiments by Andy Warhol (BFA, 1949) on aging floppy disks from 1985.

The purely digital images, “trapped” for nearly 30 years on Amiga® floppy disks stored in the archives collection of The Andy Warhol Museum (AWM), were discovered and extracted by members of the Carnegie Mellon University (CMU) Computer Club, with assistance from the AWM’s staff, CMU’s Frank-Ratchye STUDIO for Creative Inquiry (FRSCI), the Hillman Photography Initiative at the Carnegie Museum of Art (CMOA), and New York based artist Cory Arcangel.

Warhol’s Amiga experiments were the products of a commission by Commodore International to demonstrate the graphic arts capabilities of the Amiga 1000 personal computer. Created by Warhol on prototype Amiga hardware in his unmistakable visual style, the recovered images reveal an early exploration of the visual potential of software imaging tools, and show new ways in which the preeminent American artist of the 20th century was years ahead of his time.

Previously Unknown Warhol Works Discovered on Floppy Disks from 1985 {studio for creative inquiry}.