Corita Kent, Why “Long/ Live/ the…” and More

eleven east cafe glassboro NJ

My first year as an undergrad was spent at a college in Glassboro, a medium-sized suburban New Jersey town. A city boy at heart, my new friends and I spent most of our time in the town’s sole independent coffee shop and book store: eleven east café and evergreen books, respectively.

It was in that bookstore that I found this:

to-believe-in-things

A book of poetry, sort of—written by playwright Joseph Pintauro and illustrated by sister Corita Kent. It was full of that trademark 1970s whimsy and innocence. One of the poetic devices used in the book is the repetition of “Long live the…”

Long Live the Thing by Joseph Pintauro and Sister Corita Kent

Long Live the Thing by Joseph Pintauro and Sister Corita Kent

The book is a celebration of life. It documents simple joys and observations:

Long live chickens
who run free
who lay their eggs
in dark
places around
the world where no man
sees.

This book seemed (and still seems) like a magic secret gift that random chance and serendipity gave to me. It spoke to me in a deep way when I first found them over ten years ago; it found me at the right moment in my life. It also speaks to why independent book stores remain so important, even though evergreen books shut down long ago. There are some experiences for which you cannot search.

I think this quotation from a 2012 PBS interview with art historian Kathryn Wat neatly summarizes the allure of Corita’s work, and it applies to her collaboration with Mr. Pintauro, too:

We feel that we’re living in dark times. And we look at this work and we see someone who was creating super-cool art, that’s very hip, but that is filled with a sincere spirit. And I think that’s appealing to all of us.

And now there’s a traveling exhibition featuring the work of Corita Kent {npr}. It opens at the Warhol museum at the end of this month.

New Warhol Images from 1985 Unearthed on Floppy Disks

So cool:

PITTSBURGH—A multi-institutional team of new-media artists, computer experts, and museum professionals have discovered a dozen previously unknown experiments by Andy Warhol (BFA, 1949) on aging floppy disks from 1985.

The purely digital images, “trapped” for nearly 30 years on Amiga® floppy disks stored in the archives collection of The Andy Warhol Museum (AWM), were discovered and extracted by members of the Carnegie Mellon University (CMU) Computer Club, with assistance from the AWM’s staff, CMU’s Frank-Ratchye STUDIO for Creative Inquiry (FRSCI), the Hillman Photography Initiative at the Carnegie Museum of Art (CMOA), and New York based artist Cory Arcangel.

Warhol’s Amiga experiments were the products of a commission by Commodore International to demonstrate the graphic arts capabilities of the Amiga 1000 personal computer. Created by Warhol on prototype Amiga hardware in his unmistakable visual style, the recovered images reveal an early exploration of the visual potential of software imaging tools, and show new ways in which the preeminent American artist of the 20th century was years ahead of his time.

Previously Unknown Warhol Works Discovered on Floppy Disks from 1985 {studio for creative inquiry}.