Poems from newspaper clippings that don’t suck.

Austin Kleon art from newspaper

From Austin Kleon.

Austin, if you’re reading this, hi. I saw you in 2012 at the Penn Bookstore. Glad you enjoyed your falafel from Mamas. That is the city’s best. Now that I think of it, I may have made you a list of things to do and given it to you after the lecture. I made it during your lecture. Sorry if that is rude. I think you said you were leaving town right after the lecture, but that you would save it for next time.

I hope you weren’t just being polite.

Via {Christopher Wink/Twitter}.

Corita Kent, Why “Long/ Live/ the…” and More

eleven east cafe glassboro NJ

My first year as an undergrad was spent at a college in Glassboro, a medium-sized suburban New Jersey town. A city boy at heart, my new friends and I spent most of our time in the town’s sole independent coffee shop and book store: eleven east café and evergreen books, respectively.

It was in that bookstore that I found this:

to-believe-in-things

A book of poetry, sort of—written by playwright Joseph Pintauro and illustrated by sister Corita Kent. It was full of that trademark 1970s whimsy and innocence. One of the poetic devices used in the book is the repetition of “Long live the…”

Long Live the Thing by Joseph Pintauro and Sister Corita Kent

Long Live the Thing by Joseph Pintauro and Sister Corita Kent

The book is a celebration of life. It documents simple joys and observations:

Long live chickens
who run free
who lay their eggs
in dark
places around
the world where no man
sees.

This book seemed (and still seems) like a magic secret gift that random chance and serendipity gave to me. It spoke to me in a deep way when I first found them over ten years ago; it found me at the right moment in my life. It also speaks to why independent book stores remain so important, even though evergreen books shut down long ago. There are some experiences for which you cannot search.

I think this quotation from a 2012 PBS interview with art historian Kathryn Wat neatly summarizes the allure of Corita’s work, and it applies to her collaboration with Mr. Pintauro, too:

We feel that we’re living in dark times. And we look at this work and we see someone who was creating super-cool art, that’s very hip, but that is filled with a sincere spirit. And I think that’s appealing to all of us.

And now there’s a traveling exhibition featuring the work of Corita Kent {npr}. It opens at the Warhol museum at the end of this month.

Friday Link List

1. Two Pittsburghians send mail to everyone on Earth

Or at least that’s the goal:

Michael Crowe and I are in the middle of writing a unique hand-written (or hand-typed) letter to every household in the world. […]

Each letter is different, and where possible personally addressed. We sign them “love Michael & Lenka”, and write in a chatty, friendly tone about topics of possible mutual interest; the weather, gentleness, Roseanne, etc.

In an attempt to discover these shared interests we often travel to the town, suburb, or small village that we plan to write to and live amongst the future recipients of our letters while we write them. We walk the same streets, eat the same bread brought from the same shops, observe the views from their hills, count the daffodils in their gardens, and so on.

Via {very short list}.

2. What Should We Be Worried About? {mother jones}

A new collection of essays entitled just that asks some of today’s biggest thinkers to divulge their fears and worries.

One of my favorites, Nicholas Carr, rants about the patience deficit (of course):

Given what we know about the variability of our time sense, it seems clear that information and communication technologies would have a particularly strong effect on personal time perception. After all, they often determine the pace of the events we experience, the speed with which we’re presented with new information and stimuli, and even the rhythm of our social interactions.

That’s long been true, but the influence must be particularly strong now that we carry powerful and extraordinarily fast computers around with us. Our gadgets train us to expect near instantaneous responses to our actions, and we quickly get frustrated and annoyed at even brief delays. I know that my own perception of time has been changed by technology. If I go from using a fast computer or Web connection to using even a slightly slower one, processes that take just a second or two longer—waking the machine from sleep, launching an application, opening a Web page—seem almost intolerably slow. Never before have I been so aware of, and annoyed by, the passage of mere seconds.

3. Amazon, a Friendly Giant as Long as It’s Fed {new york times}

Vincent Zandri hails from the future. He is a novelist from the day after tomorrow, when Amazon has remade the worlds of writing, printing, selling and reading books so thoroughly that there is hardly anything left besides Amazon. […]

A few years ago he was reduced to returning bottles and cans for grocery money. Now his Amazon earnings pay for lengthy stays in Italy and Paris, as well as expeditions to the real Amazon. “I go wherever I want, do whatever I want and live however I want,” he said recently at a bar in Mill Valley, Calif., a San Francisco suburb where he was relaxing after a jaunt to Nepal.

New Warhol Images from 1985 Unearthed on Floppy Disks

So cool:

PITTSBURGH—A multi-institutional team of new-media artists, computer experts, and museum professionals have discovered a dozen previously unknown experiments by Andy Warhol (BFA, 1949) on aging floppy disks from 1985.

The purely digital images, “trapped” for nearly 30 years on Amiga® floppy disks stored in the archives collection of The Andy Warhol Museum (AWM), were discovered and extracted by members of the Carnegie Mellon University (CMU) Computer Club, with assistance from the AWM’s staff, CMU’s Frank-Ratchye STUDIO for Creative Inquiry (FRSCI), the Hillman Photography Initiative at the Carnegie Museum of Art (CMOA), and New York based artist Cory Arcangel.

Warhol’s Amiga experiments were the products of a commission by Commodore International to demonstrate the graphic arts capabilities of the Amiga 1000 personal computer. Created by Warhol on prototype Amiga hardware in his unmistakable visual style, the recovered images reveal an early exploration of the visual potential of software imaging tools, and show new ways in which the preeminent American artist of the 20th century was years ahead of his time.

Previously Unknown Warhol Works Discovered on Floppy Disks from 1985 {studio for creative inquiry}.